Adam Cork
Composer and Sound Designer
Adam is a Tony and Olivier award-winning sound designer, composer, and lyricist.
His credits for the Donmar include: Anna Christie - Evening Standard winner for Best Design; King Lear - Olivier Winner for Best Sound Design and Evening Standard winner for Best Design (also Brooklyn Academy of Music, New York) and Red - Tony Winner for Best Score (also John Golden Theater, New York).
Theatre credits includes: The Line of Beauty; The Hunt (Almeida); Dracula (Lyric Hammersmith); My Master Builder (Wyndham’s); Hamlet (RSC); Nachtland (Young Vic); Patriots (Almeida/West End/Broadway); The Shark is Broken (Ambassadors/Mirvish Theatre Toronto); Leopoldstadt (Wyndhams/Broadway); Ink (Almeida/Duke of York’s); Mosquitoes; Les Blancs; Danton’s Death (National Theatre); Who’s Afraid of Virginia Woolf? (Harold Pinter); Travesties (Menier Chocolate Factory/Apollo/American Airlines Theatre) and Enron - Tony Nominee for Best Score (Music & Lyrics) and Tony Winner for Best Sound Design of a Play (Chichester/Royal Court/Noel Coward/Broadway).
Film and television credits include: London Road; Genius; The Hollow Crown: Richard II; Macbeth and Frances Tuesday.
Radio includes: Losing Rosalind; The Luneberg Variation; The Colonel-Bird; Don Carlos; Othello; On the Ceiling and The Chalk Garden.
As composer and co-lyricist, Adam created London Road (National Theatre) alongside Alecky Blythe, which won the Critics’ Circle Award ‘Best Musical’, and was nominated for the Olivier Award ‘Best Musical’.