Anastasia Hille
Actor
Her credits for the Donmar include: The Dark and Morphic Resonance.
Other theatre credits include: Othello; The Winter’s Tale (RSC); Oresteia (Park Avenue Armory, New York); A Midsummer Night’s Dream; The Jewish Wife; The Maids (Young Vic); Hamlet (Barbican); The Effect - Olivier Award nominee for Best Supporting Actress; Dido, Queen of Carthage; Waves; Women of Troy; A Dream Play; The Oresteia; Richard III (National Theatre); Macbeth (Cheek by Jowl/European tour/New York); The Master Builder - Olivier Award nominee for Best Supporting Actress (Almeida); Forty Winks (Royal Court) As You Like It (Globe Theatre); Ashes to Ashes / Mountain Language (Royal Court/Lincoln Center, New York); Measure for Measure - Ian Charleson Award recipient and Duchess of Malfi (Cheek by Jowl/World tours).
Television credits include: Twenty Twenty Six; The Lady; Steal; The Couple Next Door; A Gentleman in Moscow; Van der Valk; I Hate Suzie; A Spy Among Friends; Dalgliesh; The Ipcress File; Baptiste; The Pembrokeshire Murders; Silent Witness; Keeping Faith; The Last Kingdom; West of Liberty; Requiem; Wanderlust; Requiem; Humans; Not Safe For Work; You, Me and the Apocalypse; Prey; The Missing; The Tunnel; Getting On; The Bletchley Circle; The Fear - BAFTA nominee for Best Supporting Actress; Bert & Dickie; The Bletchley Circle; Foyle’s War; Lewis; Poirot; Spooks; Tripping Over; Cutting It; Outside the Rules; The Cazalet Chronicle; RKO 281; Storm Damage and Big Women.
Film credits include: Joy; Love Gets a Room; Martyr’s Lane; Mamma Mia! Here We Go Again; Tulip Fever; A United Kingdom; Trespass Against Us; The Riot Club; Snow White and the Huntsman; Awakening; Good; Bloodline; The Hole; Five Seconds to Spare; New Year’s Day and The Escort.