Anna Fleischle

Anna Fleischle is an Olivier award–winning and Tony-nominated production set and costume designer.

Credits for the Donmar include: The Way of the World. 

Theatre credits includes: Punch (Nottingham Playhouse/Young Vic/Broadway); The Constant Wife (RSC/UK tour); Hedda (Theatre Royal Bath); Make It Happen (Edinburgh International Festival); A Face In The Crowd; Nachtland (Young Vic); The Collaboration (Young Vic/Broadway); Death Of A Salesman (Young Vic/Broadway/West End); What we talk about when we talk about Anne Frank (Marylebone); Red Speedo (Orange Tree); A Child Of Science (Bristol Old Vic); The Pillowman (West End); Death Of A Salesman (Broadway/West End); 2:22 A Ghost Story (West End/LA/Tour/Melbourne); Hangmen – Tony Award Nominee 2022, Winner of Olivier Award For Best Set Design, Critic’s Circle Award ‘Best Designer’, Evening Standard Award ‘Best Design’ (Royal Court/West End/Broadway); Everybody’s Talking About Jamie (West End/ UK tour/ LA); House of Shades; The Writer; Before the Party (Almeida); The Kid Stays In The Picture (Royal Court/Complicité); A German Life; A Very Very Very Dark Matter; John Gabriel Borkman; Two Ladies (Bridge); Much Ado About Nothing, Home, I’m Darling – 2019 Olivier Award Nominee For Best Set Design And Best Costume Design (National Theatre/West End/UK Tour); Rosencrantz & Guildenstern Are Dead (Old Vic) and Beware Of Pity (Schaubühne, Berlin/Complicité).

Opera includes: L’Orfeo (Vienna Staatsoper) and Weimar Nightfall (LA Philharmonic/Complicité).

Dance includes: A Christmas Carol (Finnish National Opera); Message In A Bottle (International Tour) and John, Can We Talk About This? (DV8 Physical Theatre/International tour).

Fellowships include: Trustee Regent’s Park Open Air Theatre, Founding Member of Scene/Change.