Chris Shutt

His work at the Donmar includes: St Nicholas; Far Away; Aristocrats, Knives in Hens; Faith Healer and Privacy.

Recent work includes: Oedipus (Old Vic); Reykjavik (Hampstead); Mnemonic; Paradise; Antony and Cleopatra; Julie; Light Shining in Buckinghamshire; The Effect; Every Good Boy Deserves Favour; War Horse - also West End (National Theatre); Hamlet;  Macbeth; Timon of Athens - also New York and Washington, DC; Wendy & Peter Pan; Much Ado About Nothing (RSC); Drive Your Plow Over the Bones of the Dead; A Disappearing Number; Elephant Vanishes; Noise of Time; Caucasian Chalk Circle; Street of Crocodiles (Complicité); King Lear (Washington, DC); Closer (Lyric, Hammersmith); Murder on the Orient Express (Chichester); Mates in Chelsea; What If If Only; Glass. Kill. Bluebeard. Imp.; ear for eye; Escaped Alone; Love and Information; Serious Money; Road (Royal Court); Hamlet (Barbican);  The Clinic, Twilight Zone; The Treatment (Almeida); Wild (Hampstead); Macbeth (Manchester International Festival/ Park Avenue Armory, New York); All My Sons; Arturo Ui; Timon of Athens; Not About Nightingales (New York); Little Otik; The Bacchae (National Theatre Scotland); The Entertainer; The Winter’s Tale; Four Quartets; The Father and Oppenheimer (West End).