Anna Watson

Her credits for the Donmar: The Band’s Visit, Appropriate, Becoming: Part One, Salt Root & Roe.

Other theatre includes: Paranormal Activity (West End/US Tour/Leeds Playhouse); Giant (& West End/ Broadway); Imposter 22, Hope has a Happy Meal, That is not who I am, Poet in da Corner (& UK tour), All of it, Pity, You for Me for You, Plaques & Tangles, A Time to Reap (Royal Court); Sherlock Holmes and the Twelve Days of Christmas (Birmingham Rep Theatre); The Tempest, Othello, Three Sisters, The Winters Tale, Hamlet, Henry VI, Richard III [Sam Wanamaker Playhouse as candlelight designer], King Lear (The Globe); Anna Karenina (Chichester Theatre Festival); Otherland (Almeida);The Unseen (Riverside Studios); Between Riverside and Crazy (Hampstead Theatre); All of Us (National Dorfman); The Bolds (Unicorn); Gaslight (Watford Palace); The Nut Cracker, Christmas Carol (Bristol Old Vic); Leave to Remain, The Seagull, Shopping & Fucking (Lyric, Hammersmith); The Fantastic Follies of Mrs Rich, Snow in Midsummer, The Roaring Girl (RSC); Twilight: Los Angeles 1992, The Chronicles of Kalki (Gate); Box of Delights (Wilton’s Music Hall); Dutchman, The Secret Agent, Fireface, Disco Pigs, Sus (Young Vic);  Paradise, Salt (Ruhr Triennale, Germany).

Dance includes: Merlin (Northern Ballet); Mothers, Soul Play (The Place); Refugees of a Septic Heart (The Garage); View from the Shore, Animule Dance (Clore ROH). 

Opera includes: Don Carlo (Grange Park); Orlando (WNO/Scottish Opera/San Francisco); Cendrillon (Gyndebourne); Ruddigore (Barbican/Opera North/UK Tour); Critical Mass (Almeida); Songs from a Hotel Bedroom, Tongue Tied (Linbury ROH); Against Oblivion (Toynbee Hall).