Profile
Donato Wharton
His credits for the Donmar include Force Majeure and Appropriate.
Other recent work in theatre includes End, Nye (also Wales Millennium Centre), The Grapes of Wrath, Grenfell: in the words of survivors (also St. Ann’s Warehouse, New York), Under Milk Wood, Middle and Three Sisters at the National Theatre; Cyrano de Bergerac and Othello for the RSC; Ghosts at the Lyric Hammersmith; Arcadia, A Number and Eureka Day at the Old Vic; White Noise at the Bridge; Phädra, in Flammen and Anatomie eines Suizids at the Berliner Ensemble; Norma Jeane Baker of Troy at The Shed, New York; La Maladie de la mort at Théâtre des Bouffes du Nord, Paris and on European tour; De meiden and Uit het leven van marionetten at Toneelgroep Amsterdam; Der Kirschgarten (Deutscher Theaterpreis DER FAUST 2023 nomination); Bluets, Glückliche Tage and 4.48 Psychose at Deutsches Schauspielhaus, Hamburg; The Body Remembers for Fuel; On the Exhale for Traverse; and Playing Cards 2: Hearts (as co-designer) for Ex Machina. Donato Wharton’s music has been published on the City Centre Offices and Serein labels.