Susan Brown

Her credits for the Donmar: Julius Caesar, Making Noise Quietly, and The Wild Duck. 

Her other theatre credits include Under Milk Wood; Home, I’m Darling - Olivier Award nomination for Best Supporting Actress, Husbands and Sons, Harper Regan, The Hour We Knew Nothing of Each Other, Henry IV Parts 1 and 2, Playing with Fire, Cardiff East (National Theatre), Angels in America - Tony Award nomination for Best Featured
Actress in a Play (National Theatre and Broadway), Image of an Unknown Young Woman, The Chairs, The House of Bernarda Alba (Gate Theatre), Good People (Noël Coward Theatre), If You Don’t Let Us Dream, We Won’t Let You Sleep, Goodbye to All That, Seagulls, Gibraltar Strait, Road (Royal Court Theatre); Saved (Lyric Hammersmith), The Contingency Plan (Bush Theatre), Dying for It, Butterfly Kiss (Almeida Theatre), Twelfth Night (English Touring Theatre), Iphigenia, Small Change (Sheffield
Theatres), Bad Weather, Romeo and Juliet, Richard III, Easter (RSC), You Be Ted and I’ll Be Sylvia (Hampstead Theatre), Playing Sinatra (Croydon Warehouse, Greenwich Theatre), The Beau; Stratagem, The Way of the World, and A Woman of No Importance (Cambridge Theatre Company).

Her television credits include Falling, Bridgerton, Mr Bates vs the Post Office, The Crown, It’s a Sin, Good Omens, Partners in Crime, Atlantis, Father Brown, Call the Midwife, Broadchurch, Silent Witness, Stella, Game of Thrones, Waking the Dead, Torchwood, Coronation Street (as series regular Connie Clayton), Pinochet’s Progress, Rose and Maloney, Brides in the Bath, Dalziel & Pascoe, When Hitler Invaded Britain, Blue Dove, Wire in the Blood, The Best of Both Worlds, The Vice, Where the
Heart Is (as recurring character June Wrekin), Anorak of Fire, Taggart, Wokenwell, A Touch of Frost, September Song, The Riff Raff Element, Absolute Hell, Making Out, Nona, Prime Suspect, Road and Loving Hazel; and for film, Mary, Belle, Now Is Good, The Iron Lady, Brideshead Revisited, and Hope and Glory.