Chloe Lamford


Chloe trained at Wimbledon School of Art.

For the Donmar: Europe and Teenage Dick.

As Designer: Romeo and Juliet (Almeida); Phaedra; Othello; The Antipodes (and Co-Director); John; Amadeus; Rules for Living; The World of Extreme Happiness (National Theatre); Get Up, Stand Up! The Bob Marley Musical (West End); Hilary and Clinton (Broadway); The American Clock (The Old Vic); Our Ladies of Perpetual Succour (National Theatre of Scotland/ West End); Hexenjagd (Theater Basel); Shakespeare’s Last Play; Atmen; Ophelias Zimmer (Schaubühne, Berlin); Hamilton Complex (Schauspielhaus, Bochum); The Duchess of Malfi; 1984 (Headlong, West End, Broadway); De Maiden (Internationaal Theater Amsterdam); The Cane; Pity; Gun Dog; Road; Victory Condition; B; Unreachable; The Twits; God Bless the Child; How to Hold Your Breath; Circle Mirror Transformation; Teh Internet is Serious Business; 2071; Open Court (Royal Court) and Disco Pigs (Young Vic).

As Co-Designer: TRAPLORD (180 Strand) and J’OUVERT (West End).

Opera includes: Innocence (Festival d'Aix-en-Provence, Finnish National Opera and Royal Opera House); Rusalka; Theodora (Royal Opera House); La bohème (ENO); The Handmaid’s Tale (Royal Danish Opera); Innocence; Ariadne auf Naxos (Festival d’Aix-en-Provence and Finnish National Opera) and Pelléas & Mélisande (Festival d’Aix-en-Provence and Polish National Opera).